Fondo F3118 - Kim Ondaatje fonds

Área de título y declaración de responsabilidad

Título apropiado

Kim Ondaatje fonds

Tipo general de material

  • Documento textual

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Fondo

Institución archivística

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • 1925-2015 (Creación)
    Creador
    Ondaatje, Kim

Área de descripción física

Descripción física

6.13 m of textual records, 22516 photographs, 26 dvds and 3 films (16mm)

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1928-)

Historia biográfica

Kim Ondaatje was born Betty Jane Kimbark in Toronto on October 2, 1928. Betty Jane took the name Kim after the death of her brother. Ondaatje studied painting under Yvonne McKague Housser from 1943 to 1947 at which point she began her studies as the Ontario College of Art. She then refocused her studies on literature at both McGill University (BA 1952) and Queens University receiving (MA 1954). Until 1964, Ondaatje served as a part-time lecturer at Wilfred Laurier University and Sherbrooke University. In the early 1960s, she returned to the visual arts and by 1965 was painting full-time. During this time Kim was working with London-based artists Jack Chambers and Tony Urquhart to found Canadian Artists Representation (CARFAC) in 1967. In 2009 Ondaatje along with Urquhart received the Governor General’s Award in Visual and Media Arts for this important work promoting artists' rights.

Ondaatje taught in the arts throughout her career, working for the London Public Gallery, the Agnes Etherington Art Centre, the Art Gallery of Ontario, and for the outreach program of the Emily Carr College of Art in British Columbia and the Yukon.

There have been many exhibitions of her paintings and prints in Canada and abroad, she has received national and international recognition. Her work has also been the subject of major retrospectives, including the University of Toronto Art Centre’s Kim Ondaatje: Paintings 1950-1975 (2008), and Kim Ondaatje Museum London (2013), as well as comprehensive exhibitions at The Robert McLaughlin Gallery (2014), the Agnes Etherington Art Centre (2015) and the Art Gallery of Ontario (2021). Ondaatje’s paintings and prints can be found in numerous collections, including The National Gallery of Canada, the Art Gallery of Ontario, the Montreal Museum of Fine Art, and The Robert McLaughlin Gallery, among many others.

In addition to her artistic career, Ondaatje lived at her Blueroof Farm residence for over 40 years in Verona, just north of Kingston, Ontario. She called her home her “longest-running project... carefully tending to the land and animals living there". It was at Blueroof where Ondaatje bred Dalmatians, had a wedding venue business, and hosted many a retreat.

She was married to the poet D.G. Jones, and later was married to the writer Michael Ondaatje. She has six children.

Historial de custodia

The material in this fonds is a combination of records that were acquired directly from Ondaatje at Blue Roof Farm, material that had be grouped and held by her biographer, Lola Tostevan, and a later accrual that came from the Agnes Etherington Art Centre.

Alcance y contenido

The fonds consist of four series.

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

Materiales asociados

Materiales relacionados

Acumulaciones

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados

Unidad de almacenaje

  • Estantería: 2303.21
  • Estantería: MI 329
  • Planero: (302) Map 110
  • Estantería: F302 A5-1