Fonds F3118 - Kim Ondaatje fonds

Bereich 'Titel und Anmerkung zur Verantwortlichkeit'

Haupttitel

Kim Ondaatje fonds

Allgemeine Werkstoffbezeichnung

  • Textdokument

Paralleler Titel

Andere Titelinformation

Titelangaben zur Verantwortlichkeit

Anmerkungen zum Titel

Erschließungsstufe

Fonds

Bereich "Edition"

Edition statement

Edition statement of responsibility

Class of material specific details area

Angaben zum Maßstab (kartografisch)

Angaben zur Projektion (kartografisch)

Angaben zu Koordinaten (kartografisch)

Angaben zum Maßstab (architektonisch)

Issuing jurisdiction and denomination (philatelic)

Bereich "Entstehungszeitraum"

Datum/Laufzeit

  • 1925-2015 (Anlage)
    Urheber/Bestandsbildner
    Ondaatje, Kim

Bereich 'Physische Beschreibung'

Physische Beschreibung

6.13 m of textual records, 22516 photographs, 26 dvds and 3 films (16mm)

Publisher's series area

Haupttitel der Verlagsreihe

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Bereich "Archivische Beschreibung"

Name des Bestandsbildners

(1928-)

Biographische Angaben

Kim Ondaatje was born Betty Jane Kimbark in Toronto on October 2, 1928. Betty Jane took the name Kim after the death of her brother. Ondaatje studied painting under Yvonne McKague Housser from 1943 to 1947 at which point she began her studies as the Ontario College of Art. She then refocused her studies on literature at both McGill University (BA 1952) and Queens University receiving (MA 1954). Until 1964, Ondaatje served as a part-time lecturer at Wilfred Laurier University and Sherbrooke University. In the early 1960s, she returned to the visual arts and by 1965 was painting full-time. During this time Kim was working with London-based artists Jack Chambers and Tony Urquhart to found Canadian Artists Representation (CARFAC) in 1967. In 2009 Ondaatje along with Urquhart received the Governor General’s Award in Visual and Media Arts for this important work promoting artists' rights.

Ondaatje taught in the arts throughout her career, working for the London Public Gallery, the Agnes Etherington Art Centre, the Art Gallery of Ontario, and for the outreach program of the Emily Carr College of Art in British Columbia and the Yukon.

There have been many exhibitions of her paintings and prints in Canada and abroad, she has received national and international recognition. Her work has also been the subject of major retrospectives, including the University of Toronto Art Centre’s Kim Ondaatje: Paintings 1950-1975 (2008), and Kim Ondaatje Museum London (2013), as well as comprehensive exhibitions at The Robert McLaughlin Gallery (2014), the Agnes Etherington Art Centre (2015) and the Art Gallery of Ontario (2021). Ondaatje’s paintings and prints can be found in numerous collections, including The National Gallery of Canada, the Art Gallery of Ontario, the Montreal Museum of Fine Art, and The Robert McLaughlin Gallery, among many others.

In addition to her artistic career, Ondaatje lived at her Blueroof Farm residence for over 40 years in Verona, just north of Kingston, Ontario. She called her home her “longest-running project... carefully tending to the land and animals living there". It was at Blueroof where Ondaatje bred Dalmatians, had a wedding venue business, and hosted many a retreat.

She was married to the poet D.G. Jones, and later was married to the writer Michael Ondaatje. She has six children.

Bestandsgeschichte

The material in this fonds is a combination of records that were acquired directly from Ondaatje at Blue Roof Farm, material that had be grouped and held by her biographer, Lola Tostevan, and a later accrual that came from the Agnes Etherington Art Centre.

Eingrenzung und Inhalt

The fonds consist of four series.

Bereich "Anmerkungen"

Physischer Zustand

Abgebende Stelle

Ordnung und Klassifikation

In der Verzeichnungseinheit enthaltene Sprache

Schrift in den Unterlagen

Aufbewahrungsort der Originale

Verfügbarkeit anderer Formate

Zugangsbeschränkungen

Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln

Findmittel

Verbundene Materialien

Verwandte Materialien

Zuwächse

Alternative Identifikatoren/Signaturen

Bereich "Standardnummern"

Standardnummer

Zugriffspunkte

Zugriffspunkte (Thema)

Zugriffspunkte (Ort)

Zugriffspunkte (Name)

Zugriffspunkte (Genre)

Bereich "Kontrolle"

Beschreibungsdatensatzkennzahl

Archivcode

Regeln und/oder Konventionen

Status

Erschließungstiefe

Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung

Sprache der Beschreibung

Schrift der Beschreibung

Quellen

Bereich Zugang

Verwandte Themen

Verwandte Personen und Organisationen

Verwandte Orte

Verwandte Genres

Aufbewahrung

  • Fach: 2303.21
  • Fach: MI 329
  • Planschrank: (302) Map 110
  • Fach: F302 A5-1