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Fonds consists of correspondence, minutes, financial records, conference files, news releases, and photographs relating to the IEEE Canadian Foundation, along with its two originating bodies, the Institute of Electrical Engineers and the Institute of Radio Engineers, and the Hamilton Sector of the Canadian Branch.

The fonds consists of correspondence and files relating to his work as a member of the executive of the Archives Branch, Canadian Historical Association, the Ontario Historical society and the Society of American Archivists. Includes files relating to his work as editor of Kingston City Hall booklet, 1974. Also included are two copies of the program for the dedication of Abramsky Hall on May 17, 1975. It was given to Wilson by Mr. J.M. Courtright Vice-Principal, Queen's University.

Using historical documents, interviews and personal genealogies, Shernold Edwards examines the history of Black Canadians in Kingston from both an historical perspective as well as the contemporary reality of being a student at Queen's University. Includes interviews with local Kingston residents, the Mason family, the Batchelor family, Rudy Cox, Judi Brown and Rick Neilson. Students Cherilyn Scobie and Anthony Farrell, members of the African Caribbean Student Association at Queen's, are also interviewed. Directed by Pam Main, edited by Dean Shea.

Collection consists of a notebook of a family doctor practicising in Prince Edward County in 1858, and includes records of births, deaths, and general illnesses and treatments. Included is a tribute to Wes Curran on Sunday, 5 July, 1981. Also includes copies of Queen's Meds class pictures (some with identification keys) including H.W. Curran. A copy of the 1941-1945 notebook was made in 2005.

The fonds consists of both incoming and outgoing family correspondence predominantly between the Hurst sisters, Deirdre, Phyllis and Muriel (Murra), and their mother, Edith a Beckett Hurst. The letters detail both the personal and professional lives of these women early in their lives, focussing on the period before the sisters were married. The material provides rare insight into an artistic and cultural milieu as seen and experienced by independent women in the 1930's. The fonds also contains a number of photographs of Phyllis and Deirdre in particular, as well as a number of subject files pertaining to the Chekov Studio and Dartington School.